Michigan estate sale painting worth up to $250,000 resurfaces - lost painting worth
Freeman’s Post-War & Contemporary Art auction in New York will feature the authenticated 1951 painting on October 1.

A painting acquired for $30 at a Michigan estate sale in summer 2024 has been authenticated as a lost work by Gertrude Abercrombie, now estimated to be worth between $200,000 and $250,000. The 8-by-11-inch piece, titled Alderman Merriam’s Shells (1951), will be offered at Freeman’s Post-War & Contemporary Art auction in New York on October 1.

The painting’s buyer, who specializes in vintage furniture and records, discovered it in a hallway near the garage during a late arrival. The inscription, “abercrombie ‘51”, matched documentation from the Milwaukee Art Museum’s 2023 exhibition Gertrude Abercrombie: The Whole World Is a Mystery. Scholar Susan Weininger verified the work’s authenticity, linking it to John Reynolds, a Kalamazoo physician who received it in exchange for medical services decades earlier.

Abercrombie’s career often operated outside conventional gallery networks, with many works exchanged informally or gifted. Alderman Merriam’s Shells exemplifies her Surrealist approach, featuring a cracked nautilus shell, a recurring motif in her later compositions. Zachary Wirsum, Freeman’s head of Post-War & Contemporary Art, described the rediscovery as evidence of hidden artistic value in unexpected places, praising the piece’s technical and thematic depth.

The artist’s market position has strengthened since her 2018 debut at Karma, with auction records accelerating in recent years. In November 2025, Message for Mercy (1950) became the first of her works to surpass $1 million at auction. This rise mirrors broader interest in midcentury American painting, particularly her evocative, minimalist scenes.

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Freeman’s auction will present Alderman Merriam’s Shells publicly for the first time in over seven decades.

Abercrombie’s informal sales practices contributed to the scarcity of documented works. The painting’s provenance, tracing back to a 1950s medical exchange, shows how personal transactions shaped her artistic legacy. Wirsum emphasized that such finds challenge assumptions about where significant art might be found.

With auction interest in Abercrombie’s oeuvre growing, the sale of Alderman Merriam’s Shells could further raise her standing among Surrealist and midcentury American artists. The work’s inclusion in Freeman’s catalog reflects its increasing recognition in contemporary art circles.